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Going West "For me, landscape has always been a theater," says MacGregor, whose previous photography projects have taken him down both the Oregon and Mormon trails. Over the course of eight years, MacGregor left his home in Berkeley to travel the trail in sections by car and boat, reading the journals of Lewis and Clark along the way. "The more I read, the deeper I got into these guys' heads, the more interesting the project became," MacGregor says. Clark, who did most of the writing, could be counted on to give a "just-the-facts" report while Lewis waxed more poetic, MacGregor says. Clark apparently stuck to his straight-forward style even in the face of great danger. Among MacGregor's images are the jagged rocks near St. Albans, Mo., where Clark described Lewis's narrow escape from death simply as: "Capt Lewis ⦠was near falling from a [Peninsula]. Saved himself by the assistance of his knife." A native of Wisconsin, MacGregor moved to Berkeley in the late 1960s to work at the Lawrence Livermore Laboratory. After several years, he realized his passion wasn't science and enrolled in the photography program at SFSU. Under the guidance of influential instructors such as Francis Coehlo, he began to focus his camera on "the way technology's gone amuck in society, oddities in the American landscape" -- themes which dominate his latest project. Greg MacGregor's photography exhibit, "Lewis and Clark Revisited: A Trail in Modern Day," travels to the National Museum of Wildlife Art in Jackson Hole, Wyo., July 31-Sept. 25, and the Fullerton Museum, Oct.16-Dec.11. -- Adrianne Bee |